The first week of February brought tons of news for some of the biggest franchises, including Mass Effect, Final Fantasy 14, and Sonic. While BlizzConline is still two weeks away, we got some unfortunate news about Overwatch 2 maps 2 and Diablo 4. A lost remaster of GoldenEye was discovered by a very patient fan, and Warner Brothers finally secured a patent for the Nemesis sys
During Blizzcon of 2019, the Overwatch 2 announcement trailer features a clip of Paris being attacked by Null Sector's forces. This attack is presumably the beginning of the story of Overwatch 2, where the heroes once more come together to defend the world from the forces of Talon and Null Sect
We also need to talk about loot boxes, since Overwatch was responsible for increasing their popularity outside the mobile space. Ultimate Team was already a thing, but Blizzard showcased how easily cosmetic items could be monetised through random packages of goodies earned by either levelling up or buying them outright. I had friends who would set aside entire evenings during seasonal events to grind for boxes, hoping that Blizzard would be kind enough to let a legendary skin fall into their laps. None of them were playing for fun, instead waiting for that brief hit of serotonin that comes with a rare drop. Or they could spend money, and as the profits have long shown, so many of us went and did just that.
There’s also the porn. Oh my goodness there was so much porn. Overwatch porn hit harder than Tory austerity in a low-income council estate on the outskirts of Birmingham. I suppose it’s a testament to how much we loved these characters that fans were able to create detailed animated films of their main being drilled into oblivion. I respect that dedication, yet it also highlights how blatantly sexualised so much of the cast was, with many of their designs intentionally drawing in the male gaze with conventional body types and poses drawing our eyes to very specific parts of the body. Most of the girls were clearly designed by dudes. \
For the first couple of years, Overwatch was unstoppable. Each new hero was a major event, hyped up with months of speculation as players tried to guess who was coming our way next by digging into the game’s files or drawing from small clues left behind by Jeff Kaplan and friends. Sombra, Doomfist, Orisa, Ashe, Ana, Moira, and Brigitte were all big deals, igniting imagination across the fandom with how their relationships intertwined with the existing roster and how their position in the narrative would come to play an important role.
One of the key architects in forming Overwatch was the under-secretary-general Gabrielle Adawe. After the Omnic Crisis, Adawe went on to establish the city of Numbani and worked toward sustaining peace between humans and Omnics. While Adawe was one of the key figures in forming Overwatch, Gabriel Reyes, a former member of the United States’ super soldier program, was given command of the u
In a landscape filled with gruff military dudes and futuristic warfare emerged a bright, colourful, diverse, and experimental game that pushed the genre forward and tried new things in fresh, exciting ways. Each match was fast and rewarding, while its sprawling cast of heroes all connected with players and meant something to them. It was evolutionary, but this innovation would bring with it some irksome industry trends and a complacency that would see Blizzard transform into a company that is now widely despised. How things change.
Overwatch’s corporate identity was clear to see through its diverse cast and clear attempts at inclusion, made worse by queer characters who were never given any strong narrative within the world itself. On the surface it was a bold statement, but dig any deeper, and you were left wanting so much more as Blizzard chased demographic approval. Its universe had so much potential for excellent stories and worthwhile sociopolitical commentary, but this clear ambition was brushed aside as the years went on in favour of recycled seasonal events and development of a sequel that is only now lumbering towards the finish line. I once looked up to Overwatch, but now I can’t help but view its failings and cynical business practices for what they really are. I still love so much about it, and the warm memories it brings to the forefront of my mind are clear proof that Blizzard struck gold with this one.
When Overwatch 2 was revealed in 2019, I assumed that it had to be nearly finished. Obviously Blizzard was announcing it because it was going to be releasing sometime in 2020. Otherwise, it could risk losing a lot of its popularity. Devoting resources to working on a sequel rather than adding content to the current game could cause players to drop off as the updates became less frequent. So it had to be just about ready to come